Text to imageAnimals
The exact text-to-image prompt behind this picture, made with GPT Image 2.5 Sunburst.
Vertical 4:5 portrait frame. A dodo stands in profile on pale coastal sand beside a sprig of native grass, its layered grey feathers, cream tail tuft and strong ochre feet rendered with patient naturalist detail. Leave a broad unmarked margin around the single bird. Fine gouache and graphite on warm ivory paper, soft implied afternoon light, muted cobalt and sage washes, dignified curious presence, no text.
Prompts are kept in their original English to help reproduce the example. Copy one as it is, or adapt it for your project.
Opens GPT Image 2.5 Sunburst with this prompt and the settings below filled in.
135 tested GPT Image prompts →
The exact price shows before you generate.
soft implied afternoon light.no text. Leave that in, or the model may add random lettering.Inspired by an idea from Heather Green, collected in YouMind-OpenLab/awesome-nano-banana-pro-prompts under CC BY 4.0. PopNow wrote this prompt and made the example above.
Scene prompt guide
A single dodo in profile on pale coastal sand, painted like a naturalist's plate in gouache and graphite on warm ivory paper. It works because the prompt fixes one subject, one pose, one medium and a wide empty margin, so GPT Image 2.5 Sunburst has no room to add clutter and spends its detail on feathers and feet.
A dodo stands in profile on pale coastal sand beside a sprig of native grassProfile is the classic specimen view, so the whole body shape reads clearly. The grass sprig gives scale and place. Remove it and the bird floats; swap the pose and the plate look weakens.
its layered grey feathers, cream tail tuft and strong ochre feet rendered with patient naturalist detailNaming feather layers, tail tuft and feet colour tells the model where to put detail. Without these, the dodo tends to become a generic grey bird with vague legs.
Leave a broad unmarked margin around the single bird.This keeps the frame uncluttered and gives the page-like look of a museum plate. Drop it and the model may fill the edges with extra plants, shells or a full landscape.
Fine gouache and graphite on warm ivory paperGouache gives matte opaque colour and graphite adds crisp outlines. The ivory paper sets the warm background. Change it to oil or watercolour and the whole texture changes.
soft implied afternoon light, muted cobalt and sage washes, dignified curious presence, no text.Implied light keeps shadows gentle instead of dramatic. Two named colours hold the palette tight. The closing no text stops invented captions or species labels, which plates often invite.
This is an illustration, not a photo, so camera and light are implied. You steer them through viewpoint words, light wording and how much space surrounds the bird.
Shifts the time of day to a cooler morning; good for a quieter, bluer set of plates.
Vertical 4:5 portrait frame. A dodo stands in profile on damp pale coastal sand beside a sprig of native grass, its layered grey feathers, cream tail tuft and strong ochre feet rendered with patient naturalist detail. Leave a broad unmarked margin around the single bird. Fine gouache and graphite on warm ivory paper, cool soft morning light, muted cobalt and pale sage washes, calm watchful presence, no text.
Changes the camera position to show the beak and chest, useful when you want more character.
Vertical 4:5 portrait frame. A dodo stands turned three-quarters toward the viewer on pale coastal sand beside a sprig of native grass, its layered grey feathers, curved beak and strong ochre feet rendered with patient naturalist detail. Leave a broad unmarked margin around the single bird. Fine gouache and graphite on warm ivory paper, soft implied afternoon light, muted cobalt and sage washes, curious presence, no text.
Keeps the plate format but swaps in another animal, for building a matching series.
Vertical 4:5 portrait frame. A giant tortoise stands in profile on pale coastal sand beside a sprig of native grass, its patterned shell, wrinkled grey neck and sturdy scaled feet rendered with patient naturalist detail. Leave a broad unmarked margin around the single animal. Fine gouache and graphite on warm ivory paper, soft implied afternoon light, muted cobalt and sage washes, slow dignified presence, no text.
Keep the 4:5 vertical ratio, since the prompt calls for a portrait page with a wide margin. High quality suits the fine feather and graphite detail, so keep it for final images. For a wider landscape plate, change both the ratio and the opening words to match. Because this is text-to-image with no input pictures, all the style control comes from the words.
Gouache supplies flat, matte colour fills, while graphite draws the thin outlines and feather lines on top. Together they give the look of a field study. Using only one tends to look either too soft or too sketchy.
Ask for the margin in plain words, as this prompt does, and say single bird. If the model still adds objects, name what to exclude, such as no extra plants or shells. A 4:5 portrait frame also helps the page feel composed.
Yes. Replace the dodo and its feather, tail and feet details with that animal's own features, and keep the medium, palette and margin lines. Specific body details matter because they guide where the model places detail.
Your photo
