Reference-to-Video prompts

Combine all three reference images into one continuous shot. Use the woman from the first image exactly as she appears — same face, same chestnut waves, same black leather jacket over a white tank, same jeans and boots. Use the cherry-red hollow-body guitar from the second image as the instrument she is carrying. Use the run-down neon motel corridor from the third image as the location. She walks down the middle of that corridor toward the camera, holding the guitar loosely by its neck so it swings at her side, kicks the abandoned ice bucket out of her way without breaking stride, then stops, tilts her head and grins straight down the lens. The camera tracks backwards ahead of her. Flickering fluorescent overhead, green exit light and magenta spill on the burgundy carpet, 35mm grain, footsteps and a buzzing tube. No logos, no readable text.

HappyHorse 1.1Make one

Copy the camera language of the reference clip — low, drifting right, never cutting — but stage it in the tiled corridor from reference image 1. One figure walking away from us, footsteps timed to the pulse in the reference track.

Seedance 2.0Make one

Picture 1 is the performer, Picture 2 is the stage lighting. She leans into the microphone and delivers one line, then smiles. Small club, warm reverb, a murmur from the crowd.

MiniMax H3Make one

Use Video 1 only as a motion reference. The woman from Picture 1, with her face, her dark hair and her black long-sleeve outfit, is the only person on screen. She copies the fast floor spin from Video 1 in a bright white photo studio with a seamless backdrop, then rises and smiles at the camera. Only the motion comes from Video 1; the person comes from Picture 1. Audio: an upbeat drum loop, sneakers squeaking on the floor.

MiniMax H3 LoRAMake one

Take the camera language from the reference clip — a slow rise on a crane, never cutting — and stage it over the rooftop in reference image 1 at dusk. Time the top of the rise to the swell in the reference track.

Seedance 2.0 FastMake one

Match the pacing of the reference clip — unhurried, one continuous push — and stage it down the aisle in reference image 1. Shelves sliding past, a hand trailing along them, footsteps landing with the pulse in the reference track.

Seedance 2.0 MiniMake one

Picture 1 is the singer, Picture 2 is the stage. She walks out to the microphone under the three spotlights, spins once and sings the first line as the camera orbits her. Audio: a band kicking in, the crowd cheering, her voice.

MiniMax H3 Singularity LoRAMake one

Follow the camera language of the reference clip — low, wide, drifting right — but stage it in an empty indoor pool at night. Cut the movement to the pulse in the reference track. One swimmer, underwater lights, tiles echoing.

Seedance 2.5Make one

The first image is the character — keep her face, hair and the black gown. The second image is the room. She walks from the doorway to the window and stops, looking out. Slow lateral track, one practical lamp, night ambience.

Wan 3.0 ProMake one

Image 1 is the woman, Image 2 is the man — keep both faces and both haircuts. They stand on either side of a workbench in a dim garage; she looks up from what she is doing and he leans in to see it. Slow push-in, one hanging bulb, room tone only.

Wan 3.0 Pro PrimeMake one

Keep the room from the reference exactly — the ropes, the lockers, the single hanging light. Empty frame, dust drifting through the beam, the bulb swinging slowly. Locked camera, no people.

Wan 3.0 Pro PrimeMake one

Place the candle jar from [Image 1] into the empty centre of the marble shelf in [Image 2], matching [Image 2]'s window-light direction and colour temperature. The camera pushes in slowly as the wick lights and a thread of smoke rises; the flame's warm glow adds a second light onto the marble and the linen.

HappyHorse 1.1Make one

Picture 1 is the swordswoman, Picture 2 is the young man in the hoodie. They spar on a rain-wet rooftop at night: she swings, he ducks and spins away, then they both stop and laugh. Fast tracking camera, crisp motion. Audio: rain, footsteps splashing, laughter.

MiniMax H3 Singularity LoRAMake one

Take the camera behaviour from Video 1 — a slow handheld orbit — and apply it to the woman in Image 1, standing in an empty studio. Keep her face and outfit from Image 1. Soft top light, quiet room.

Wan 3.0 PrimeMake one

Treat @Image1, @Image2 and @Image3 as three angles of one sneaker. Rotate it smoothly on an invisible turntable through those three views in order, keeping the leather grain, gum sole and lacing identical throughout. Hard studio key stays fixed; the contact shadow swings with the rotation.

Seedance 2.0 FastMake one

@Image1, @Image2 and @Image3 are the same man from front, three-quarter and profile; @Image4 is his apron. Put him behind the counter of a small bakery at opening time in that apron, sliding a tray into the case and glancing up as the door chimes. Warm ovens, flat morning light.

Seedance 2.0 MiniMake one

Keep character1, the amber glass bottle, exactly - its shape, colour and the marble block it stands on. Move it to a sunlit kitchen windowsill in the morning, lemons and a linen cloth beside it. The camera circles it slowly the way the reference clip does. Soft birdsong outside.

Wan 2.6Make one

Keep the coat from the reference exactly — cut, colour and stitching. The model turns once on a dark stage and the hem lifts and settles. Slow orbit, single hard key, no music.

Wan 3.0 ProMake one