Lugares y naturaleza: prompts

Wide cinematic photograph at golden hour on an empty desert highway: a colossal transparent whale made of glossy lilac jelly floats silently fifty metres above the asphalt, sunlight glowing through its body and casting soft violet caustics on the road; below it a vintage lemon-yellow convertible is parked on the shoulder and a couple in their sixties sit on its hood looking up in awe. Low camera, vast sky, 35mm film grain, anamorphic flare, photorealistic, no text, no logos.

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Wide landscape photograph of a black-sand beach in Iceland at blue hour: dozens of giant iridescent soap bubbles drift low over the crashing waves and basalt sea stacks, one lone figure in a tangerine parka stands at the waterline looking up; a single beam of light breaks through the clouds, moody and epic, 35mm film grain, photorealistic, no text.

Giant iridescent soap bubbles drift and wobble low over the crashing waves on the black-sand beach, the beam of light shifts through the clouds, the figure in the orange parka watches; moody, epic, no text.

Wide landscape photograph of lavender fields in Provence at sunset: a fleet of hot-air balloons made of translucent glossy jelly in tangerine, lilac and mint float low over the purple rows, sunlight glowing through them, long shadows, a stone farmhouse in the distance; 35mm film color, dreamy and epic, photorealistic, no text.

Design the blank album sleeve she is holding: a moody duotone photograph of ocean waves at night in deep blue and rust, with the title "MIDNIGHT TIDE" in large bold sans serif and the band name "The Low Hours" in small capitals beneath it. Keep both women, their clothes, their pose and the record store exactly as they are.

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A single ancient oak on a hilltop, one continuous trunk and one wide crown: the left side of the crown in pink spring blossom, the right side blazing orange autumn leaves, the two seasons meeting softly through the middle of the same tree, and the sky behind it blending gradually from pale morning blue on the left to warm copper sunset on the right with no hard line, one unbroken narrow path winding up to its trunk. Painterly realism, balanced composition, natural color.

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Keep the cabin, the lakeshore and the composition exactly as they are. Change the season from a frozen winter night to a midsummer evening: open water with lily pads, wildflowers along the shore, a warm peach sky, the windows still glowing. Change nothing else.

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Cinematic film still, street skater at the top of an air. The tank top has been dragged up to the ribs by the motion, high shutter freezing the grit in the air, hard backlight rimming the whole body against a white sky. 35mm, shallow depth of field, heavy grain, concrete grey and sky white, restrained and tasteful.

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Inside a vast blue glacier cave, sunlight pours through a crack in the ceiling onto a single hiker in a red jacket, the frozen ripples overhead curving like cathedral vaults. Crisp clarity, deep cyan fading to white, wide-angle architectural framing.

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A small red cabin on the shore of a frozen lake under a sky full of green and violet aurora, warm window light spilling across the snow and a sled dog asleep by the door. Long-exposure stars, deep cold palette, quiet and vast.

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She laughs into the receiver, then hangs it up without looking away from him; he raises an eyebrow, and she crooks one finger to call him into the booth. The fluorescent tube flickers once. The camera holds still.

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The giant frozen wave holds for a beat, then comes alive and curls forward over the salt flat while she stands her ground, her white dress whipping in the wind and the spray bursting into glittering mist around her. The camera slowly pushes in from behind her.

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Night on the marble terrace of a Venetian palazzo during a gala. A woman in her early thirties in a backless emerald silk gown walks away from the camera toward the balustrade, candlelight catching the line of her back, the Grand Canal glittering below. She stops, looks back over her shoulder at the camera and says with a faint smile, "Don't wait up." Slow tracking shot behind her, shallow depth of field. Sound: a string quartet playing inside, the murmur of guests, water lapping against stone.

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Cast: one man and one woman. The camera stays on the two hands closing in from either side. The dominoes fall inward from both ends of the table and stop between two hands that are almost, but not quite, touching. Macro, very shallow depth of field. Cinematic, heavy film grain, warm tabletop light.

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The same lane turns from late summer to deep autumn: leaves colour and let go, light drops lower and colder, the hedge thins out. Locked camera, no cuts.

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Relight this photo as if it were taken at golden hour: low warm sun from the left casting long shadows across the street, a soft glow in her hair and on the building facades, a slightly warmer sky. Keep the woman, her yellow dress, her pose and the street exactly the same. Realistic photo.

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Remove the passers-by and the parked scooter from the background and fill in the street and building facades naturally, as if they were never there. Keep the woman in the yellow dress, the street, the light and the framing exactly the same.

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Change the season to peak autumn: the trees turn orange, red and gold, fallen leaves cover the path and grass, and the light becomes warm and low. Keep the woman exactly the same, with the same face, glasses, navy blouse, cream trousers, sneakers and pose.

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Make it a snowy winter day: fresh snow on the sidewalk, balconies and the parked scooter, soft snowflakes falling, a pale overcast sky. Dress the woman in a long camel wool coat over her yellow dress and a cream knit scarf. Keep her face, hair, pose and the street exactly the same. Realistic photo.

Turn this daytime scene into a rainy night: wet glowing pavement, warm window lights and colorful neon reflections from small shops, a deep blue sky. Keep the woman, her yellow dress, pose and the street layout exactly the same, lit by the shop lights. Realistic photo, no readable signs.

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