Arquitectura e interiores: prompts

A brutalist concrete library atrium on a rainy afternoon: tiered reading balconies, rain streaming down the outside of a vast glass roof while the air inside stays dry and still, a few tiny readers under green desk lamps. Symmetrical, calm, architectural photography.

Qwen Image 2Hacer uno igual

AnalogRedmAF, Analog. Looking up a raw concrete spiral stairwell, one hard shaft of daylight falling from a skylight. A man in his late thirties with dark brown skin and a close-cropped beard leans on the curved concrete balustrade in a cream linen shirt open at the collar, sleeves rolled to the elbow, looking down into the lens with a slow, confident half-smile. 35mm film photograph, warm grain, soft halation, deep shadows.

He sets the coffee mug down on the windowsill, walks across the loft and sits on the paint-splattered stool, turning to face the camera as the first sunrise floods through the tall windows and turns the cool blue room warm gold. One continuous shot, the camera slowly pushing in. Sound: footsteps on old floorboards, birds outside, the city waking up.

Combine all three reference images into one continuous shot. Use the woman from the first image exactly as she appears — same face, same chestnut waves, same black leather jacket over a white tank, same jeans and boots. Use the cherry-red hollow-body guitar from the second image as the instrument she is carrying. Use the run-down neon motel corridor from the third image as the location. She walks down the middle of that corridor toward the camera, holding the guitar loosely by its neck so it swings at her side, kicks the abandoned ice bucket out of her way without breaking stride, then stops, tilts her head and grins straight down the lens. The camera tracks backwards ahead of her. Flickering fluorescent overhead, green exit light and magenta spill on the burgundy carpet, 35mm grain, footsteps and a buzzing tube. No logos, no readable text.

HappyHorse 1.1Hacer uno igual

Everything is weightless underwater. She turns slowly in the sunken ballroom, the emerald gown unfurling around her like smoke, bubbles rising toward the rippling light and the chandelier swaying gently above. The camera drifts in a slow orbit around her.

Kling 2.1 MasterHacer uno igual

The room empties out over an afternoon: chairs are pushed back in, papers gathered, the last person leaves and the blinds are drawn down. The camera drifts gently right across the passage.

Seedance 1.5 ProHacer uno igual

Copy the camera language of the reference clip — low, drifting right, never cutting — but stage it in the tiled corridor from reference image 1. One figure walking away from us, footsteps timed to the pulse in the reference track.

Seedance 2.0Hacer uno igual

A hand reaches into frame and flips the door sign from CLOSED to OPEN, then withdraws; steam drifts off the machine behind the glass and the street reflection keeps moving. Camera stays where it is.

Seedance 2.0 FastHacer uno igual

The bare room fills in: a rug unrolls, a sofa settles into place, lamps come on one after another and the late light warms across the wall. Locked camera throughout.

Seedance 2.0 FastHacer uno igual

Take the camera language from the reference clip — a slow rise on a crane, never cutting — and stage it over the rooftop in reference image 1 at dusk. Time the top of the rise to the swell in the reference track.

Seedance 2.0 FastHacer uno igual

Match the pacing of the reference clip — unhurried, one continuous push — and stage it down the aisle in reference image 1. Shelves sliding past, a hand trailing along them, footsteps landing with the pulse in the reference track.

Seedance 2.0 MiniHacer uno igual

Follow the camera language of the reference clip — low, wide, drifting right — but stage it in an empty indoor pool at night. Cut the movement to the pulse in the reference track. One swimmer, underwater lights, tiles echoing.

Seedance 2.5Hacer uno igual

Inside a lighthouse at dusk, an older man in a thick wool sweater climbs the last turn of an iron spiral staircase carrying a lit lantern, stops at a small round window and looks out at a storm rolling in over the sea. Low camera following from below, warm lantern light against cold blue daylight, rain streaking the glass.

Wan 2.2Hacer uno igual

Shot 1: the lamp flickers once and the city lights outside the window blink on one block at a time. Shot 2: close on the armchair as a folded blanket slides off the arm onto the rug. Shot 3: the front door swings slowly open and warm hallway light spills across the floorboards. Quiet evening room tone, distant traffic, a clock ticking.

Wan 2.6Hacer uno igual

Shot 1: the lamp flickers once and the city lights outside the window blink on one block at a time. Shot 2: close on the armchair as a folded blanket slides off the arm onto the rug. Shot 3: the front door swings slowly open and warm hallway light spills across the floorboards.

Wan 2.6 FlashHacer uno igual

The first image is the character — keep her face, hair and the black gown. The second image is the room. She walks from the doorway to the window and stops, looking out. Slow lateral track, one practical lamp, night ambience.

Wan 3.0 ProHacer uno igual

Image 1 is the woman, Image 2 is the man — keep both faces and both haircuts. They stand on either side of a workbench in a dim garage; she looks up from what she is doing and he leans in to see it. Slow push-in, one hanging bulb, room tone only.

Wan 3.0 Pro PrimeHacer uno igual

Keep the room from the reference exactly — the ropes, the lockers, the single hanging light. Empty frame, dust drifting through the beam, the bulb swinging slowly. Locked camera, no people.

Wan 3.0 Pro PrimeHacer uno igual